Here's a good example of how the animation is being upgraded in spots. This shot was almost static before. Naybob's entire head and body is a fixed symbol. For emphasis I used a squash and stretch on it at one point, but it's such a obvious Flash trick that it had to go. Here's the original setup:
The forced perspective didn't really work, she doesn't even appear to be looking at him. It's all cheats. And it's all gone. He now goes through 3 different key head positions as he speaks, and for extra emphasis on the word "your", I employed a little homage to Robert McKimson with an extreme, up-in-her-face pose. Not quite in his style, but that was the inspiration. He starts out like this:
Then he springs into the air and gets up close for the key word:
Of course, there's a smear along the way:It may be overkill, but now every frame here is a decent still, all looking sharper than the main key frames did in the original. If I can get the whole thing close to this level, I may just succeed at ironing out the telltale "Flashness" of it. It's a lot of work for a dopey little story about cheese crackers, and nobody needs to do it, but I'm on it anyway...
I need to stress this is a mockup composition, and the background is not the one that will be used. It's merely to test the characters against it before I start creating the new ones. This is from "Altruists" from the Lost Episodes R&S disc (flipped backwards). It's the type of backgrounds I want to do for these scenes, so I wanted to try out something close. The perspective isn't quite a match for what it's supposed to be anyway, but it lets me get an idea how they'll look with painted BGs. I'll be switching gears here and there to start painting those. Haven't painted in a while, so that should be fun.